Welcome!

A place to explore the method to my madness.

Monday, December 1, 2014

1 Day Assignment

Assignment Parameters:

Choose a current event from the news or a website & create a 5x5 vignette design to illustrate it. There must be a sense of environment and and a flat graphic shape to offset the illustration. Check out this really awesome article on DeviantArt: link.

Current Event:

The release of the new Jurassic World trailer

Progress:

Reference Image

Line art drawing. At this point I have been working for about 2 hours.

 Here is a closeup of what I'm doing. A lot, if not all of my work is very clean lined and meticulously shaped and shaded. For this one, I wanted to push myself to see if I could work in a different way to get a different effect. Ultimately, the illustration will only be 5x5 inches so all this scratchy looking line work will not be as noticeable, but it may give a nice subtle effect to the finished piece.

More progress.... maybe about 5-7 hours here.

More progress... I've lost all track of time.

 Slowly going insane.....
Line art for my raptor is done!

The next step is to do all the rest....
And after what feels like forever and a half, here is my final 5x5 spot illustration!

Monday, November 24, 2014

Digital Methods Final

In my Digital Methods class, our final assignment of he semester is to create a digital conceptual portrait of someone using Adobe Photoshop and Adobe Illustrator. A couple posts ago I mentioned that I had recently been working on digital portrait painting. You can see what I've been working on for that here. While a lot of those portraits were based solely on photo reference found on the internet, this time my challenge is to create a portrait of the person I choose that is unique and has never been seen before. And while I can use my previous digital painting experiences to my advantage, I would like to push myself to try new digital painting methods to get a different effect.

So for this project, I chose to use Amy Lee again. I'm interested to see what new things I can create for her portrait considering my last one was pretty straight forward. This time I want to create something that is a spinoff of official Evanescence photos. The band's most recent release was their self-titled album in 2011. Before that, their last album was released when I was in 6th grade in 2006, so imagine my excitement when they announced my (at the time) favorite band's comeback. Anyway, their newest album has a different style of artwork to it, and I'm looking to use that style as a basis for my project. Below are some examples:



I really like the concept of the wild hair and being underwater. It also reminds me of their video for "Going Under", a song off their 2003 album "Fallen". So after lots of thumbnailing and sketching and discussions with my instructor, I have finally come up with a concept and a final layout that I think will work for this assignment.

Concept

I will be having Amy Lee underwater, like in the video and the Oceans photo, singing in a way that makes her look like an underwater, ethereal, banshee. Here are some photos that I have been looking at to help me with facial references:




Step 1: Final Layout

After about 10 changes to my final layout, and multiple changes to composition, this is the basic sketch layout I will be working off of:


Step 2: Value Study

After coming up with a line art layout, the next step is to create a value study. Like the line art, this can be done either traditionally or digitally. I chose to go the digital route. Here are some screenshots and photos of what I was working on yesterday:

Using the line art as a base and placing my reference photo on a different layer on the side, I started adding in basic value on a third and fourth layer. The body is on one layer and for ease of shading the face is on a fourth. Overall, I am probably going a little more in-depth with the shading than is required at this point, but hopefully it will serve me better later.

At this point, I still have things to change and add, but the general concept is starting to show.

When someone screams underwater, the air escaping their lungs makes intense bubbles. While my bubbles are by no means complete or full enough to get the exact effect, I am currently just roughing in their general placement since I will have to go back and do more rendering later. The same can be said for the clawed hand in the front. Here you can see the general process of how I do my digital paintings; I rough in color, starting very general, and then get more specific as I go. In the screenshot, I am still in the process of roughing in the shading and the placement and sizing are still changing.

In Class Critique

Feedback on the image in the screenshot posted above:
- Need to add in some big bubbles (but we already knew this)
- Define the arm wrapped around her body because it looks a little deflated
- Reposition the clawed hand and arm (again, this was already on the "to do" list)
- Highlights in the face; lots of nice soft blending but it's time for some harder edges
- Reflected light that water does is present in the chin but maybe bring some around by the jaw/neck
- Define the neck under the chin/jaw line by adding in some darker values
- The one hair strand is forming a tangent with her jaw that makes it look like a genie beard

Refining the Value Study



Step 3: Color


Monday, November 17, 2014

Sailor Moon Stars Poster

One of my favorite anime series of all time is Sailor Moon. And of all of the seasons, the Stars season was my favorite. Although it was never dubbed in English and I never saw it until about 7th or 8th grade, this season has some of the best animation and the most compelling story line.

Cel Animation

On a small tangent, I am fascinated with the process of cel animation for this series. Some of the most beautiful animation and most beautiful cels appear in this season. All of the elements in a scene are on different layers. The background has it's own layer, and character cels are placed on top. If there are multiple characters, they will each have their own layer, and moving parts of their body (such as the eyes or the mouth) will have their own layers as well.
Here is an example from SommerBommer on DeviantArt of some of the various types of cels that were used.
The following video is a short clip of the general process of the cel animation for the Sailor Moon series. Every cel is hand shaded, so imagine all the time it would take to create every one of the 200+ episodes and movies for this anime. I can see why the new Sailor Moon Crystal is digitally animated.

Poster Progress

I can go on forever about all of the reasons I love the Stars season of Sailor Moon, but this post is to show some of my progress on the poster I am working on.

Step 1: Line art for the 8 soldiers from our galaxy

Step 2: Line art for the Sailor Starlights

Step 3: Line art for the full body Sailor Moon
Composition is starting to come together, but not all of the elements are there yet. Add more? Why not. Let's make something super cool and interesting. Go big or go home.

Step 4: Line art for the 2nd version of Sailor Moon
At this point composition is really starting to be solidified. I had to add in a 50% gray background just to see the white line art of the 2nd version of Sailor Moon. I'm playing with doing different things with line art so let's see how this will work out.

Step 5: Painting the background
Digital painting of the Milky Way galaxy. This part will ultimately be visible through the 2nd version of Sailor Moon, so it has to look good.

Step 6: Color swatches for each character
Every character has their own distinct color palette. The bottom 2 color palettes are for 2 characters that I haven't done the line art for yet, but just think of it as a little preview for what's coming.

Step 7: Base color for the characters
Here I am applying general blocks of color. It looks like something is missing and it looks really flat, but this would be something that happened when painting the cels for the original animation.

Step 8: Highlights and shadows for the characters
Shading strictly in shapes is a new concept for me, but I think it's starting to look like the Sailor Moon characters. In traditional cell animation of the anime, shaping in the highlights and shadows would happen before the basic blocks of color. This is one of the things I find interesting about this type of animation; things have to be done backward.

Step 9: Put it against the background
Dark line art and dark shapes against a dark background create some really bad edge relationships that make this design seem flat. Lots of the different character's parts disappear, especially in the hair and dark uniforms of the Starlights. Something will have to be done to fix this.

Step 10: Coloring of 2nd Sailor Moon and edge effects for other characters
To fix my edge relationships, I played around with layer effects. Generally, I hate the use of Photoshop's layer effects and filters, but in this case, I think they actually saved the piece. Weird... As for the white lined Sailor Moon, I chose to do a more transparent type of shading so the background is still visible. Lot's of masking techniques were used here, but I think overall this style seems to help connect the characters to the background.

Step 11: Adding in 2 more characters on the bottom (some repositioning occurring)
The bottom looked boring but a giant Sailor Moon logo would almost be a cop-out for this poster. Since two of the most important characters in the series aren't making an appearance in the poster yet, it's time they did. And what better place to put them than a place that screams for attention.

Step 12: Adding base colors to the bottom characters
The bottom two characters need edge effects too, and of course they need to be colored. I'm using the same method here as I used to color the other characters, so the only thing happening here is the application of base colors.

Step 13: My next step will be to go in and add shadows and highlights the two bottom characters. 

Step 14: Once that is complete, I will have to consider what I will be placing in the bottom left and bottom right of the poster. I would love to incorporate the Sailor Moon logo(s), so maybe there is a way to incorporate them in these locations. Since the poster is so large, there is no way I will be able to borrow the logo(s) from another source. If anything, I will have to go into Adobe Illustrator and create vector files that match the original logos. The bottom left will most likely host the United States logo for the whole series, and the bottom right will most likely be home to the Sailor Moon Stars Japanese logo.




I will update this post later with more progress, so keep an eye out for new content!